Abstract
Le Corbusier’s murals in E.1027, the famous house designed by Eileen Gray, have been maintained and restored as “historical monuments”. I subscribe to a different view, and shall express it from three perspectives: • a legal and administrative dimension: only Eileen Gray’s E.1027 is designated a Historical Monument. The murals are not covered by this classification. • an artistic point of view: Le Corbusier’s murals are detrimental to the original state of the architectural work and to the spirit of the house, they are discordant. The murals, by their mere presence, endanger the architectural work. • a physical/technical angle: Le Corbusier’s murals themselves are in physical danger.

Keywords
Modern Movement, Modern architecture, Holiday architecture, Leisure architecture, Tourism modern architecture, Eileen Gray, Modern housing, E.1027, Le Corbusier.

Issue 60
Year 2019
Pages 84-88
DOI: https://dx.doi.org/10.52200/60.A.KRJNWI0A

Abstract
Eileen Gray’s design approach, resulting in the production of her two houses E.1027 and Tempe à Pailla as complete works, could have been influenced by the revolutionary effects of Cubism, in particular Marcel Duchamp’s version “Elementary Parallelism” and some of his later art practices. There are parallels between Gray’s use of purpose-made and standard fittings and Duchamp’s adaptations of mechanisms and his “readymades”. This is discussed in the multiple design fields in which Eileen Gray worked. There is a similarity in her approach to transformable fixed and loose furniture and architecture in the means by which she transforms space.

Keywords
Modern Movement, Modern architecture, Holiday architecture, Leisure architecture, Tourism modern architecture, Eileen Gray, E.1027, Cubism, Marcel Duchamp.

Issue 60
Year 2019
Pages 77-83
DOI: https://dx.doi.org/10.52200/60.A.7Y6V0CZB

Abstract
The bouquet of stories related to E.1027, the house built 1926–1929 by the Irish architect and furniture designer Eileen Gray with the support of Jean Badovici, is colorful and intriguing. In “E.1027: Murder and Mystery of the Camera”, gems on the history of the house, new research material and previously unpublished facts related to E.1027 are revealed. Above all, the search for an answer to the question “Which photo camera was used to take the original pictures of E.1027”.

Keywords
Modern Movement, Modern architecture, Holiday architecture, Leisure architecture, Tourism modern architecture, Eileen Gray, Modern housing, E.1027.

Issue 60
Year 2019
Pages 71-76
DOI: https://dx.doi.org/10.52200/60.A.MNMURC5A

Abstract
The house by the sea — Maison en Bord de Mer — formed the basis of Eileen Gray’s spatial research, in this case applied to a vacation residence. The subsequent sequences of programmatic and typological researches into summer vacation facilities exemplifies Eileen Gray’s interest in generalizing the comprehension and acceptance of compact places of abode during vacations. Her ability to thoroughly project a comprehensive and mutually supportive program for a large organization such as a vacation center was the ultimate result of these paths of research. Even though the project was never realized, its timing and documentation proves Eileen Gray’s pioneering spirit.

Keywords
Modern Movement, Modern architecture, Holiday architecture, Leisure architecture, Tourism modern architecture, Eileen Gray, Modern housing, E.1027.

Issue 60
Year 2019
Pages 66-70
DOI: https://dx.doi.org/10.52200/60.A.2FBNPFW4

Abstract
The High Tatra Mountains are the most prominent alpine center of recreation and sport in Slovakia. The development of this site dates back to the end of the 19th century. From the architectural point of view, the beginning of the 20th century, the 1920s, the 1930s and the post-war period of the 1960s and the 1970s should be considered the most interesting periods. At that time, the most important architectural works were created in the High Tatras, which in different ways dealt with the fundamental question: how to build in the mountains? Through the built results achieved in the region, it is now possible to study the success of this discussion.

Keywords
Modern Movement, Modern Architecture, Holiday architecture, Leisure architecture, Tourism modern architecture, Slovak modern architecture, Landscape architecture.

Issue 60
Year 2019
Pages 58-64
DOI: https://dx.doi.org/10.52200/60.A.9YIE08UM

Abstract
Greenfield tourist towns in Languedoc-Roussillon, built in the 1960s, are some of the best examples of the application of modern principles in the production of architecture and space for mass tourism. Contributions of the Modern Movement in the construction of tourist facilities are thus exposed through the analysis of the theoretical proposals put into practice by Georges Candilis and Jean Balladur, modern architects of the third generation in France, in two of the tourist projects on the Languedoc-Roussillon coastline: La Grande-Motte and Port Leucate-Barcarès.

Keywords
Modern Movement, Modern architecture, Holiday architecture, Leisure architecture, Tourism modern architecture, Team X, Modern urban planning, French modern architecture.

Issue 60
Year 2019
Pages 50-57
DOI: https://dx.doi.org/10.52200/60.A.SH50PF2N

Abstract
The Balaia Hotel (1964–1968) near Albufeira, in the Algarve, designed by Francisco Conceição Silva and Maurício de Vasconcellos, is one of the first and most iconic seaside holiday megastructures built in Portugal. In its territorial approach, physical dimension and range of amenities, it represents a new stage of development in seaside tourism accommodation facilities. A self-contained and self-sufficient structure that shapes its own landscape. Also, the “turn key” commission implied the transition from the small-scale architecture office to the multidisciplinary design and planning firm, revolutionizing the Portuguese architectural culture and professional practice. This essay addresses the impact of the Balaia Hotel on the traditional structures of architecture production and, consequently, on the disciplinary debate of the 1960s in Portugal.

Keywords
Modern Movement, Modern architecture, Holiday architecture, Leisure architecture, Tourism modern architecture, Portuguese modern architecture, Modern hotels, Balaia Hotel.

Issue 60
Year 2019
Pages 42-49
DOI: https://dx.doi.org/10.52200/60.A.ABU47U6X