Visions on Furniture

Abstract
The growing interest in Modern furniture, which by now can also be of a respectable age, has lent a new dimension to the profession of furniture conservation. New materials and techniques demand new conservation solutions.

Keywords
Modern Movement, Modern architecture, Modern interior design, Furniture modern design, Modern living, Modern furniture conservation.

Issue 46
Year 2012
Pages 10-13
DOI: https://dx.doi.org/10.52200/46.A.3VGF0EOI

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Why Preserve Modern Now?

Abstract
Coming to design in a natural development from architectural practice, Le Corbusier considered design not as a sum or addition to architecture. Its existence decisively constructed and modulated interior space, as light and shadows, materials or planes. From that belief, he quests the perfect and ideal form that asserts itself as a model of universal validity, arriving at three different furniture types: type–needs, type–furniture and human limb objects. Consequently, together with Charlotte Perriand and Pierre Jeanneret, in 1928 he drew the prototype of the Grand Confort armchair, presented the following year at the Salon d’Automne in Paris.

Keywords
Modern Movement, Modern architecture, Modern interior design, Furniture modern design, Modern living, Modern design preservation.

Issue 46
Year 2012
Pages 6-9
DOI: https://dx.doi.org/10.52200/46.A.RNQ217BP

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Designing Modern Life

Abstract
The aim is to contribute for the discussion that relates modern heritage and interior space, common daily life and musealization of Modern Interior Spaces, gathered underneath a global strategy, to better understand and preserve these delicate monuments. In fact, the interior space with all devices and furniture pieces is frequently not appreciated as an essential matter in safeguard interventions. Ranging from restoration process research and know-how, new modern materials and techniques are discussed facing up to new conservation process and innovative rehabilitation solutions, as well. One knows that Modern spatiality must require furniture conceived under a unitary design concept, which implies today to identify every detail with the aim of a reconstruction process, where research on documentation is one of the success keys.

Keywords
Modern Movement, Modern architecture, Modern interior design, Furniture modern design, Modern living.

Issue 46
Year 2012
Pages 2-5
DOI: https://dx.doi.org/10.52200/46.A.LVSIMYWB

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The Ofir House – Casa Dr. Fernando Ribeiro da Silva Ofir, Esposende, 1956-1958, by Fernando Távora

Abstract
The Ofir holiday house was the first work by Fernando Távora (1923–2005) published in the Arquitectura magazine (nº 59, July 1957). It was presented as a work that searched a personal language which reconciled the values of traditional Portuguese architecture and new technologic and material achievements.

Keywords
Modern Movement, Modern architecture, Fernando Távora, Ofir House, Portuguese modern architecture.

Issue 47
Year 2012
Pages 94
DOI: https://dx.doi.org/10.52200/47.A.1LBO7JHJ

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Nadir Afonso: the Painter (who graduated) Architect

Abstract
Nadir Afonso, one of the most well known (and recognized) Portuguese painters, has dedicated a great deal of his life to practicing the profession from which he graduated as an architect a facet that is still commonly unknown by the great public, as it was just slightly studied by the history of contemporary Portuguese Architecture. Regarding his career, it is to particularly note the periods he spent abroad, working with Le Corbusier and Niemeyer. These influential authors of the Modern Movement gave him the opportunity to participate in various projects that marked the history of architecture. This singular international phase manifestly resulted in Modern influences that are visible in the work he later built in Chaves. Nadir Afonso ended up abandoning the profession, since when he has dedicated himself to Painting on a full-time basis.

Keywords
Modern Movement, Modern architecture, Modern interior design, Nadir Afonso, Portuguese modern painting, Portuguese modern architecture.

Issue 47
Year 2012
Pages 84-90
DOI: https://dx.doi.org/10.52200/47.A.THTSV99E

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Alexander von Vegesack

Abstract
In July 2012, Bárbara Coutinho, Director of MUDE–Design and Fashion Museum, Francisco Capelo’s Collection since 2006, interviewed Alexander Von Vegesack, founding Director of the Vitra Design Museum in Weil am Rhein and the person who set up Thonet Museum in Boppard am Rhein. The subject of this interview is the importance of Collect—Curate—Exhibit—Publish to the Preservation and Communication of Modern Architecture/Design.

Keywords
Modern Movement, Modern architecture, Modern interior design, Furniture modern design, Modern global design, Alexander von Vegesack, Collect, Curate, Exhibit, Publish, Preservation and architectural communication, Modern design conservation.

Issue 47
Year 2012
Pages 80-83
DOI: https://dx.doi.org/10.52200/47.A.UE8G4YNU

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Chandigarh Heritage Furniture

Abstract
Although Chandigarh is linked to Le Corbusier due to the urban planning and the buildings of the Capitol complex, the footprint of the tandem between Jeanneret and the Fry–Drew team goes far beyond as reflected for example in different housing typologies and the design of interesting furniture collections. These have been seldom described and evaluated, perhaps partly due to the lack of attention that the authorities have towards Chandigarh’s heritage.

Keywords
Modern Movement, Modern architecture, Modern interior design, Furniture modern design, Modern global design, Chandigarh modern architecture, Le Corbusier, Pierre Jeanneret, Fry and Drew.

Issue 47
Year 2012
Pages 74-79
DOI: https://dx.doi.org/10.52200/47.A.HJLNB2H8

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Le Corbusier and GATCPAC: Functionalism and Latin Identity

Abstract
This study presents a brief history of design in the context of historic avant-gardes. It shows that, in parallel to the more classical historiographical interpretation which followed Pevsner’s ideas to “internationalize” the production of the 20s and 30s, other models with vernacular Latin roots were obviated.

Keywords
Modern Movement, Modern architecture, Modern interior design, Furniture modern design, Modern global design, GATCPAC, MIDVA, Le Corbusier, Catalan modern architecture.

Issue 47
Year 2012
Pages 68-73
DOI: https://dx.doi.org/10.52200/47.A.TL5QHJGI

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The Vision of Utopia

Abstract
Designed in late 1932 by Josep Lluís Sert and Josep Torres Clavé, Casa Bloc is one of the paradigmatic works of these architects who represented the most active core of the Modern Movement in Catalonia, known as GATCPAC (Group of Catalan Architects and Technicians for the Progress of Contemporary Architecture), founded in 1930 echoing the Spanish GATEPAC. I use the word “paradigm” in the sense of a theoretical framework or set of theories. In fact, Casa Bloc was not only the first major social housing building in Barcelona conceived in functional terms but it also exemplifies the reception in this city of the notions of the Modern Movement and how the guidelines recently approved in the 4th CIRPAC Congress were applied.

Keywords
Modern Movement, Modern architecture, Modern interior design, Furniture modern design, Modern global design, GATCPAC, Casa Bloc, Catalan modern architecture, Modern social housing.

Issue 47
Year 2012
Pages 62-67
DOI: https://dx.doi.org/10.52200/47.A.OSAUWKM3

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Contemporary Activity. The GATEPAC Magazine (1931-1937)

Abstract
In May 1931, the first issue of the long–awaited Spanish modernity platform appeared: A.C. Actividad Contemporánea. Although the publication of the magazine had become an indispensable requirement for the existence of the GATEPAC, its manufacturing process turned out to be very long and fraught with difficulties.

Keywords
Modern Movement, Modern architecture, Modern interior design, Furniture modern design, Modern global design, A.C. Actividad Contemporánea, GATEPAC, Spanish modern architecture.

Issue 47
Year 2012
Pages 56-61
DOI: https://dx.doi.org/10.52200/47.A.HW1ZDODO

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