Abstract
The arts bear witness to the cultural meaning of each period; we can discover the features that marked a historic individuality thanks to them. The more they demonstrate the union of concept or formal participation between them, the more clearly the social axis around which the man/culture duality revolves unfolds itself. The presence of this axis favours the agglutination of artistic expression. What is more, the unity of human content is fertile and a necessary condition so that the total integration flourishes. Architecture, painting, sculpture and technique combine around a common aim, around a collective purpose. The coming together of objectives facilitates the plastic synthesis.
Keywords
Modern Movement,
Modern architecture,
Art and architecture,
Modern art,
Carlos Villanueva,
Integration of the arts,
Venezuelan modern architecture.
Issue 42
Year 2010
Pages 53-55
DOI: https://dx.doi.org/10.52200/42.A.SXIGO0SV