Abstract
The text registers and discusses the affinities between the transparency of a branch of modern sculpture and the characteristic porosity of Brazilian modern architecture, placed in the broader context of the exchange between architecture, painting, sculpture and construction in the twentieth century.

Keywords
Modern Movement, Modern architecture, Art and architecture, Modern art, Transparent sculpture, Porous architecture, Brazilian modern architecture.

Issue 42
Year 2010
Pages 56-65
DOI: https://dx.doi.org/10.52200/42.A.TF7Z3LRE